SPECIFICATIONS OF PRITCHARD AMPLIFIERS
Pritchard Amps have been
measured or designed to the following specifications.
Individual amplifiers may vary from these nominal values:
FRONT
PANEL CONTROLS and FEATURES
Input Jack
Input Level
- Adapts the amplifier to the guitar level
Volume -
Sets the clean / crunch level
Preamplifier
has Vintage Voicing
Voice - Selects
the style of amp:
A - Airy
Art, a really cool clean tone inspired by acoustic guitars.
S - Smooth
Solo, a good tone for jazz or solo guitar.
F - Famous
Flat, inspired by the classic American amplifier tone.
M - Moderately
bright, inspired by a famous British tone.
V - Very
bright, inspired by another famous British tone.
L - Liquid
Lead, a combination of American and British tones.
Boost - Sets
the boost gain
Tone Controls,
3-band
Watts - Sets
the dirty volume over approximate 20:1 power range
Reverb -
Sets the spring reverb level
Foot Switch
Controls - the panel controls operate in parallel with the
foot switches and to control gain boost, noise gate operation, and output stage
tone.
B - Variable
Boost on/off with indicator
C - Crunch
boost on/off with indicator
Treble/Mid
Noise Gate indicator
Power On indicator
REAR PANEL FEATURES
Mains Power
Switch - Turns the amplifier on and off
Mains Inlet
- Accepts the IEC power cord
Speaker Jacks
Gig - For
maximum level output
PJ - Practice
Jack™ for practice levels
Effects Jacks
Send - To
send a +4 db signal to external effects device
RTN - To
accept the serial return signal on the tip connection \ To
accept the parallel signal on the ring connection
EQ DI - Equalized
Direct for sending a speaker emulated hot mike signal out
Amp DI -
Unequalized output to an amplifier driving instrument speakers
Mike In -
An input signal used when the guitar is not plugged in. Optionally,
the mike signal is isolated and impedance and noise matched by a Jensen
mike transformer with 11 db gain.
PERFORMANCE
Input Sensitivity
to produce distortion with all controls turned up
30 microvolts
- fully boosted
500 microvolts
- crunch boost
1 millivolt
- without boost
Output Wattage
with 4 Ohm load
60 Watts
undistorted
90 Watts
clean peak transient (estimated)
90 Watts
dirty
180 Watts
peak distorted power (estimated)
SPECIFICATIONS OF PRITCHARD AMPLIFIERS
BLOOD DAGGER
FRONT
PANEL CONTROLS and FEATURES
Input Jack
Input Level
- Adapts the amplifier to the guitar level
Volume -
Sets the clean / crunch level
Preamplifier
has Modern Voicing
Voice - Selects
the style of amp:
-
V - Very
bright, inspired by another famous British tone.
-
S - Smooth
Solo, a good tone for jazz or solo guitar.
-
F - Famous
Flat, inspired by the classic American amplifier tone.
-
T -
-
B - Bass
Boost for mellow ballads and jazz standards
-
P - Precision
/ Tele, inspired by the Precision bass and useful for Tele tone
Boost - Sets
the boost gain
Tone Controls,
3-band
Watts - Sets
the dirty volume over approximate 20:1 power range
Reverb -
Sets the spring reverb level
Foot Switch
Controls - the panel controls operate in parallel with the
foot switches and to control gain boost, noise gate operation, and output stage
tone.
B - Variable
Boost on/off with indicator
C - Crunch
boost on/off with indicator
Treble/Mid
Noise Gate indicator
Power On
indicator
REAR
PANEL FEATURES
Mains Power
Switch - Turns the amplifier on and off Mains
Inlet - Accepts the IEC power cord Speaker
Jacks
Gig - For
maximum level output PJ
- Practice Jack™ for practice levels
Effects Jacks
Send -
To send a +4 db signal to external effects device RTN
- To accept the serial return signal on the tip connection \ To
accept the parallel signal on the ring connection
EQ DI -
Equalized Direct for sending a speaker emulated hot mike signal out
Amp DI - Unequalized output
to an amplifier driving instrument speakers Mike
In - An input signal used when the guitar is not plugged in. Optionally,
the mike signal is isolated and impedance and noise matched by a Jensen
mike transformer with 11 db gain.
PERFORMANCE
Input Sensitivity
to produce distortion with all controls turned up
30 microvolts
- fully boosted 500
microvolts - crunch boost 1
millivolt - without boost
Output Wattage
with 4 Ohm load
60 Watts
undistorted 90
Watts clean peak transient (estimated) 90
Watts dirty 180
Watts peak distorted power (estimated)
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SPECIFICATIONS OF PRITCHARD AMPLIFIERS
JADE DAGGER
FRONT
PANEL CONTROLS and FEATURES
Input Jack
Input Level
- Adapts the amplifier to the guitar level
Volume -
Sets the clean / crunch level
Preamplifier
has Vintage Voicing
Voice - Selects
the style of amp:
A - Airy
Art, a really cool clean tone inspired by acoustic guitars.
S - Smooth
Solo, a good tone for jazz or solo guitar.
F - Famous
Flat, inspired by the classic American amplifier tone.
M - Moderately
bright, inspired by a famous British tone.
B - Bass
Boost for mellow ballads and jazz standards
P - Precision
/ Tele, inspired by the Precision bass and useful for Tele tones
Tone Controls,
4-band: Deep, Bass, Mid, and Treble
Watts - Sets
the dirty volume over approximate 20:1 power range
Reverb -
Sets the spring reverb level
Foot Switch
Controls - the panel controls operate in parallel with the
foot switches and to control gain boost, noise gate operation, and output stage
tone.
B - Extra
Boost on/off with indicator
C - Crunch
boost on/off with indicator
Treble/Mid
Noise Gate indicator
Power On
indicator
REAR
PANEL FEATURES
Mains Power
Switch - Turns the amplifier on and off
Mains Inlet
- Accepts the IEC power cord
Speaker Jacks
Gig - For
maximum level output
PJ - Practice
Jack™ for practice levels
Effects Jacks
Send - To
send a +4 db signal to external effects device
RTN - To
accept the serial return signal on the tip connection \ To
accept the parallel signal on the ring connection
EQ DI - Equalized
Direct for sending a speaker emulated hot mike signal out
Amp DI -
Unequalized output to an amplifier driving instrument speakers
Mike In -
An input signal used when the guitar is not plugged in. Optionally,
the mike signal is isolated and impedance and noise matched by a Jensen
mike transformer with 11 db gain.
PERFORMANCE
Input Sensitivity
to produce distortion with all controls turned up
100 microvolts
- fully boosted
500 microvolts
- crunch boost
1 millivolt
- without boost
Output Wattage
with 4 Ohm load
60 Watts
undistorted
90 Watts
clean peak transient (estimated)
90 Watts
dirty
180 Watts
peak distorted power (estimated)
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SPECIFICATIONS OF PRITCHARD AMPLIFIERS
SWORD OF SATORI
MAIN
CHANNEL FRONT PANEL CONTROLS and FEATURES
Input Jack
Input Level
- Adapts the amplifier to the guitar level and sets noise gate level
Volume -
Sets the clean / crunch level
Main Channel
has vintage voicing
Voice - Selects
the style of amp:
-
H - Heavy
Dirt - high bass notch with substantial treble emphasis
-
S - Smooth
Solo, a good tone for jazz or solo guitar.
-
F - Famous
Flat, inspired by the classic American amplifier tone.
-
M - Moderately
bright, inspired by a famous British tone.
-
V - Very
bright, inspired by another famous British tone.
-
L - Liquid
Lead, a combination of American and British tones.
Boost - Sets
the boost gain
Tone Controls,
3-band
SECOND
CHANNEL FRONT PANEL CONTROLS
Volume -
Sets the clean / crunch level
Second Channel
has vintage voicing
Voice - Selects
the style of amp:
-
A - Airy
Art, a really cool clean tone inspired by acoustic guitars.
-
S - Smooth
Sold, a good tone for jazz or solo guitar.
-
F - Famous
Flat, inspired by the classic American amplifier tone.
-
M - Moderately
bright, inspired by a famous British tone.
-
B - Bass
Boost for mellow balads and standard jazz tones.
-
P - A
high bass and treble boosted tone inspried by Precision bass and useful
for Tele sounds
Tone Controls,
3-band
REMAINING
FRONT PANEL CONTROLS and FEATURES
Watts - Sets
the dirty volume over approximate 20:1 power range
Reverb -
Sets the spring reverb level
Foot Switch
Controls - the panel controls operate in parallel with
the foot switches and to control gain boost, noise gate operation,
and output stage tone.
Treble-Mid
Noise Gate indicator
Power On
indicator
REAR
PANEL FEATURES
Mains Power
Switch - Turns the amplifier on and off
Mains Inlet
- Accepts the IEC power cord
Speaker Jacks
Effects Jacks
EQ DI - Equalized
Direct for sending a speaker emulated hot mike signal out
Amp DI -
Unequalized output to an amplifier driving instrument speakers
Mike In -
An input signal used when the guitar is not plugged in. Optionally,
the mike signal is isolated and impedance and noise matched by a Jensen
mike transformer with 11 db gain.
PERFORMANCE
Input Sensitivity
to produce distortion with all controls turned up
-
30 microvolts
- fully boosted
-
500 microvolts
- crunch boost
-
1 millivolt
- without boost
Output Wattage
with 4 Ohm load
Back
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SPECIFICATIONS OF PRITCHARD AMPLIFIERS
GOLD ESTOC
MAIN
CHANNEL FRONT PANEL CONTROLS and FEATURES
Input Jack
Input Level
- Adapts the amplifier to the guitar level and sets noise gate level
Volume -
Sets the clean / crunch level
Main Channel
has vintage voicing
Voice - Selects
the style of amp:
-
A - Airy
Art, a really cool clean tone inspired by acoustic guitars.
-
S - Smooth
Sold, a good tone for jazz or solo guitar.
-
F - Famous
Flat, inspired by the classic American amplifier tone.
-
M - Moderately
bright, inspired by a famous British tone.
-
B - Bass
Boost for mellow balads and standard jazz tones.
-
P - A
high bass and treble boosted tone inspried by Precision bass and useful
for Tele sounds
Boost - Sets
the boost gain
Tone Controls,
3-band
SECOND
CHANNEL FRONT PANEL CONTROLS
Volume -
Sets the clean / crunch level
Second Channel
has modern boutique voicing
Voice - Selects
the style of amp:
-
H - Heavy
Dirt - high bass notch with substantial treble emphasis
-
N - Nasty
Notch - a low mid notch with treble emphasis.
-
F - Famous
Flat, inspired by the classic American amplifier tone.
-
M - Moderately
bright, inspired by a famous British tone.
-
V - Very
bright, inspired by another famous British tone.
-
L - Liquid
Lead, a combination of American and British tones.
Tone Controls,
3
REMAINING
FRONT PANEL CONTROLS and FEATURES
Watts - Sets
the dirty volume over approximate 20:1 power range
Reverb -
Sets the spring reverb level
Foot Switch
Controls - the panel controls operate in parallel with
the foot switches and to control gain boost, noise gate operation,
and output stage tone.
Treble-Mid
Noise Gate indicator
Power On
indicator
REAR
PANEL FEATURES
Mains Power
Switch - Turns the amplifier on and off
Mains Inlet
- Accepts the IEC power cord
Speaker Jacks
Effects Jacks
EQ DI - Equalized
Direct for sending a speaker emulated hot mike signal out
Amp DI -
Unequalized output to an amplifier driving instrument speakers
Mike In -
An input signal used when the guitar is not plugged in. Optionally,
the mike signal is isolated and impedance and noise matched by a Jensen
mike transformer with 11 db gain.
PERFORMANCE
Input Sensitivity
to produce distortion with all controls turned up
-
30 microvolts
- fully boosted
-
500 microvolts
- crunch boost
-
1 millivolt
- without boost
Output Wattage
with 4 Ohm load
Back
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SPECIFICATIONS OF PRITCHARD AMPLIFIERS
SULTRY MARGAUX
MAIN
CHANNEL FRONT PANEL CONTROLS and FEATURES
Input Jacks
B Channel
for instruments
C Channel
for mike or instrument second channel or dual channel instruments
Input Level
- Adapts the amplifier to the guitar level
Volume -
Sets the clean / crunch level
Vintage preamp
voicing
Voice - Selects
the style of amp:
A - Airy,
a really cool clean tone inspired by acoustic guitars.
S - Smooth,
a good tone for jazz or solo guitar.
F - Flat,
inspired by the classic American amplifier tone.
M - Moderately
bright, inspired by a famous British tone.
B - Bass
Boost for mellow ballads and jazz standards
P - Precision
/ Tele, inspired by the Precision bass and useful for Tele tone
Tone Controls,
4-band
REMAINING
FRONT PANEL CONTROLS and FEATURES
Channel Selector
Switch for Parametric Filter
Parametric
Filter Frequency - Center Frequency adjustment
Parametric
Filter Cut / Boost - Cut / Boost level control
Watts - Sets
the dirty volume over approximate 20:1 power range
Reverb -
Sets the spring reverb level
Foot Switch
Controls - the panel controls operate in parallel with
the foot switches and to control gain boost, noise gate operation,
and output stage tone.
B - B Channel
Crunch boost on/off with indicator
C - C Channel
Crunch boost on/off with indicator
Treble-Mid
Noise Gate indicator
Power On
indicator
REAR
PANEL FEATURES
Mains Power
Switch - Turns the amplifier on and off
Mains Inlet
- Accepts the IEC power cord
Speaker Jacks
Gig - For
maximum level output
PJ - Practice
Jack™ for practice levels
Effects Jacks
Send - To
send a +4 db signal to external effects device
RTN - To
accept the serial return signal on the tip connection \ To
accept the parallel signal on the ring connection
EQ DI - Equalized
Direct for sending a speaker emulated hot mike signal out
Amp DI -
Unequalized output to an amplifier driving instrument speakers
Mike In -
An input signal used when the C input is not plugged in. Optionally,
the mike signal is isolated and impedance and noise matched by a Jensen
mike transformer with 11 db gain.
PERFORMANCE
Input Sensitivity
to produce distortion with all controls turned up
500 microvolts
- crunch boost
1 millivolt
- without boost
Output Wattage
with 4 Ohm load
60 Watts
undistorted
90 Watts
clean peak transient (estimated)
90 Watts
dirty
180 Watts
peak distorted power (estimated)
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AMPLIFIER
TECHNOLOGIES
Preamplifier
-
Highly
patented XGPA™ preamplifier stages designed to exceed vintage
amplifier character.
-
Silent
FET switching.
-
Great
Tone, Great Tone Reliability
Output Stage
-
Highly
patented XGPA™ output stages designed to exceed vintage
amplifier character.
-
Expansive
gain character to make amplifier more responsive at high
picking strengths.
-
Fat enhanced.
-
Watts
Knob™ Control over approximate 20:1 power range.
-
Boost
controlled Gain Compression
-
Sag enhanced
life
Spring Reverb
-
Magnetically
shielded reverberation transducer for minimal hum
-
Proprietary,
frequency compensated drive circuit
-
Treble/Mid
Noise gate
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SPEAKERS
& CABINETRY
Speakers
Single 12
Tunnel Back™ to work alone (4 ohms)
Single 12
Tunnel Back™ to work with extension speaker (8 ohms)
Single 12
Closed Back
Single 12
Tunnel Back™ with two 5-inch speakers
Single 15
Tunnel Back™
4-10 Tunnel
Back™
Single 15
Tunnel Back™ Bass Extension Cabinet
Cabinetry
Amplifier
Chassis - Engraved, Black Anodized and Shock
mounted 1/8-inch TIG welded aluminum
Speaker Enclosure
- patented Tunnel Back™
Cabinetry
- 12 mm box-jointed multi-ply Baltic Birch
Finish -
Two tone green/black tolex on the outside, Cane grill,
Black interior (other colors and options available on special order).
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Line Voltage
- 115 VAC (others available on special order)
Line Frequency
- 50-60 Hz
Line Current
- Highly dependent upon usage with maximums set by line
voltage, fuse(s), transformer temperature, and output stage temperature.
Line Connection
- IEC chassis mount 3-prong male connector for standard
IEC cord set
Ground-to-Chassis
Resistance - less than 0.1 ohms (100% Tested)
Line Voltage
Isolation - Greater than 1,000 volts AC for 115 VAC
amplifiers \ Greater than 2,500 volts AC for 230 VAC operation (100% Tested)
Ground Wire
Current - less than 500 microamps - typically less than
20 microamps (100% Tested)
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SAFETY
FEATURES
Double grounded
chassis (100% Tested)
Low ground
currents (100% Tested)
Thermally
protected output stage
Short-circuit
protected output stage
No user-serviceable
components inside
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ENVIRONMENTAL FEATURES
Non-linear,
bandwidth limited circuitry to produce essentially zero electro-magnetic interference
Extensive
use of radio-frequency suppression to minimize electromagnetic susceptibility.
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